The Deutsche Bibliothek lists this publication Sabine Dormond, Montreux, for the French translation. The world is Halma, rules of the game.biographical data and list of exhibitions With 20 colour plates and a b/w brochure on works by the Swiss artist.ġst edition 1000 copies, 32 of which as a special edition with original designs for the series "Erinnerungen". The German National Library lists this publication in the German National Bibliography detailed bibliographic data can be found on the Internet at out of print We thank Andreas Kern for his kind support. Excerpt from "Berliner Sandberge 2012" by Anna M. This is strange only at first glance in 2012, because at the same time as Franziska R.'s photographs, a new Mars research mission from NASA was underway. The perception itself is decisive in this process: what is a practical completion of a task for the building activity becomes a possible colonization of the planet Mars for Franziska R.'s photographic eye. The area in the Wuhlheide is transformed mentally and perceptively into a Martian landscape during the ploughing of the ground. However, this is explicitly not about comparing the real situation in Berlin with the findings of planetary research, but above all about the artist's eye. The German National Library lists this publication in the German National Bibliography detailed bibliographic data are available on the Internet at To orderĬan a real pictoriality become tangible, however, when earth is exchanged during a transformation phase in the city of Berlin and this is registered by the artist's eye? In this process, despite all its anchoring in reality, there is simultaneously an extraterrestrial post-colonialism of modernism. Published by Kunstverein Bad Salzdetfurth e.V. With texts by: Hans-Werner Kalkmann, Margit im Schlaa and Raimar Stange The artist pursued this factor of irritation over many years, from initially subtle to increasingly obvious disturbances in the pictorial recognition of the real environment. In the most recent works of the series Aggregation-Dark light matter (2015-2016), the colour range red, combined with structures derived from the snapshot of flowing water, creates irritation due to ambiguity in relation to the comparison of reality in the viewer's perception. The exhibition reeling to real shows the artist's examination of questions about the age of the Anthropocene. Her media are painting, drawing, photography and installation. The human being does not appear figuratively in her works, it is rather thematized as a biotic factor. Motifs are natural elements like plants, water and rock. The Swiss artist Franziska Rutishauser focuses on making visible the abstractness of familiar reality.
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